“Ballads” EP is out now!
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With every release the Night Slugs landscape becomes more vivid, rezzing further into existence with each track. 2011 saw “Classical Curves” and “Club Rez EP” inject a previously wireframe environment with dense new texture. The “Ballads” EP continued that process, transposing the listener to the flooded underwater realm of its title track “Ballad 4d”. Fans of the track’s YouTube rip have dubbed it the ‘submarine tune’ for its obscene, living bass, like some mechanical whale cry. It’s the sound of a ’00′s Sublow bass tone emerging from warm ’80s analog oscillators, letting you up for air before sucking you down once again as drum fragments and debris float by through the murk. The track moves with a vast, sighing implication of a groove until suddenly propelling into decisive 4×4 as L-Vis lets the the drums take control again.

“Not Mad” is demented, a guitar-pedal troika powered by an overdriven electric bass and Jersey kicks. It features a clapper with the giggles, a talking flanger and sawtooth stabs that beam across the track like strobes, all combining into another startling, endothermic groove.

Like some of the best grime productions it echoes, “Signal” is an exercise in dancefloor shock and awe through reductionism, and is the surprise club bomb of the EP. Out of nothing but droning chords comes a massive arpeggio of Juno bass pulses framed only in silhouette by sonar bleeps, finger snaps and self-recycling industrial machinery. A loose ghostly beat start-stops to create vast chasms on the dancefloor until reinforcement from a stiff EBM snare flips the track into rigid functionality – like exploring a flooded world that is suddenly, briefly reanimated.